| Name | Advanced |
| Credits per hour | 25 |
| Video Sources | More info |
| 4 Camera Inputs | Device restrictions apply - Accepted input: Atomos Connect, Shogun Connect, Atomos Pro Camera |
| 1 HTML5 Graphics | Any HTML5-based webpage (rendering capacity limited to available processing time) |
| 4 Image Players (Single PNG) | Alpha supported, PNG image type recommended. |
| 4 Colour Generators | Single colour, 4-corner gradient |
| 4 PiP (3 Layers + Background) | Background plus up to 3 layers. Size, Crop and border configurations |
| Black | |
| Bars | Pre-configured |
| Test Image | Pre-configured |
| No-signal Image | Pre-configured |
| Audio Sources | |
| 2 x Mono per Camera Input | |
| Control Interfaces | |
| 2 Control Surface (viewer for multiview) | Device restrictions apply - Accepted controller: Atomos iPad Surface App |
| Output Streaming | |
| 1 RTMP PGM Output | PGM only. |
| 1080p | Framerate is determined by internal processing (system rate). Max 6mbit/s encode. |
| Configurable stream settings | RTMP Port number, GOP, b-frames |
| Intercom | |
| 10 Intercom devices | Device restictions apply - Accepted intercoms: 4 Atomos devices (coming in firmware update), 2 Atomos iPad Surface Apps (Control), 4 Atomos iPhone Surface Apps (Intercom) |
| 3 Intercom groups | |
| Selectable Talk/Listen per group | |
| Latch and Push to Talk functions | Device restrictions apply - Limited to Atomos iPad Surface App, Atomos iPhone Surface App, Atomos Pro Camera |
| Selectable PGM return per channel | |
| Vision Mixer | |
| PGM Channel | |
| Preview Channel | |
| Auto and manual mix | Faux T-bar manual mix |
| DSK | Limited to graphics source. Mix on/off |
| Tally | Programme/Preview |
| Audio Mixer | |
| 8 input mixer channels | |
| 5 DCA groups | Group multiple input channels |
| PGM master output | |
| Selectable on/off for master output | |
| Cue bus | |
| Configurable mixer layout | |
| Audio follows video | |
| Fader control per mixer input channel | |
| Selectable on/off per mixer input channel | |
| Input gain control per mixer input channel | |
| Pan control per mixer input channel | |
| 4 bands of parametric EQ per input channel | |
| Phase inverse per mixer input channel | |
| VU per mixer input channel | |
| Master VU | |
| Multiview Monitoring (Proxy) | |
| 2 Multiview channels with 10 sources viewable per channel | 2 Large, 8 Small configuration only |
| Configurable from video sources plus PGM, Preview | |
| Stream status and Master VUs | |
| Proxy quality | Requires maximum network ping of 100ms and minimum 20mbit/s download speed Wired connection recommended |
| Dedicated Monitoring (Proxy) | |
| 2 dedicated output Monitor channels | Device restictions apply - Accepted monitor: Atomos Monitor AppleTV App |
| Configurable from video sources plus PGM, Preview, Multivew A and Multiview B | |
| Selectable proxy quality | Requires maximum network ping of 100ms and minimum 5mbit/s download speed Wired connection recommended |
| Internal Processing Standards | |
| 1920x1080 resolution | |
| Progressive | |
| 50fps or 59.94fps | Input standards accepted at 50fps - 25p, 50p Input standards accepted at 59.94fps - 29.97p, 59.94p, 60p |
| 4:2:0 video sampling | |
| 8-bit colour precision | |
| REC 709 colour space | |
| Audio Processing | |
| 48kHz sampling | All audio must conform to 48kHz sampling rate |
| 32-bit floating point | |
| dBFS VU metering | |
| Frame synchronization | |
| Automatic video synchronisation | Max delay 10 seconds per input |
| 4 synchronisation groups | Group different camera inputs for synchronisation |
| Manual and automatic controls | |
| Transmission latency control for input sources | Minimum transmission latency: 20ms. Maximum transmission latency: 3000ms |
Live Show: Advanced
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