Technical Specifications


Physical Specifications
Without batteries & media	730g / 1.6lb (excluding batteries)
Dimensions (W x H x D mm)	198mm x 133mm x 40mm / 7.8” x 5.2” x 1.57”
Mounting points	Top: 1 x 1/4”20 or 3/8” with anti rotational points, Bottom: 1 x 1/4”20 or 3/8” with anti rotational points, Right: 1 x 1/4”20 or 3/8” with anti rotational points
Environmental
Ambient operating temperature	Up to 40 Degrees Celsius
Construction and Control
Body	Aluminium alloy chassis with ABS Polycarbonate back plate
Cooling	Actively controlled fan and heat sink
Tally light	Rear and front (Red border on the display indicates record)
Multi-function button	Power / lock screen
Power
Input voltage	6.2V to 16.8V
Battery Voltage	7.2V
Compatible batteries	NPF /L series
Battery time (based on 7.4V)	5200mAh - up to 2hrs (monitor & record 4Kp60), 7800mAh - up to 3hrs (monitor & record 4Kp60)
DC In Connector	Locking DC Jack (5.5mm OD & 2.1mm ID)
D-Tap	Via optional D-Tap to DC cable
Display
Touchscreen	SuperAtom IPS panel (capacitive touch)
Size	7"
Resolution	1920 x 1200 px
PPI	325
Bit Depth	10-bit (8+2 FRC)
Backlight Type	Edge lit
Brightness (cd/m² / nits)	2000nits +/- 10%
Aspect ratio	16:9 Image Display
De-interlace mode	I > P and PSF > P
Color Gamut	Rec. 709
Color Pipeline
AtomHDR	Yes
Gamma	Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, RED LogFilm / RED Log3G10 / RED Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log
Gamut	BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, ARRI Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display	.Cube Format
3D LUT Down Stream	Loop out
3DLUT 50/50	Yes
Monitoring Modes	Native / Rec.709 / HLG / PQ / 3D LUT
HDR output Conversion	HLG / PQ
Color Management
Calibration	ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Display controls	Backlight, Lift, Gamma, Gain
AtomHDR	Built in Technical Log to HDR EOTF
3D luts	Display, monitor and output, Record, Load via SSD
Legalize	Input
Video Input
HDMI	1 x HDMI (2.0a) 4Kp60
HDMI RAW	Apples ProRes RAW up to 8Kp30 / 4Kp120
SDI	1 x 12G SDI
SDI RAW	Apple ProRes RAW up to 6Kp60 and 4Kp120p
Bit Depth	8/10-bit Video / RAW up to 12-bit
Video Chroma Subsampling	YCbCr 420 & 422
HDCP copy protection	Not supported
HDR	Yes with Auto detection
Metadata
HDMI	RAW - white balance, exposure index, shutter speed/angle, iris F stop, ISO, gamma, gamut
SDI	File name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
Video Output (Playout)
HDMI	1 x HDMI (2.0) 4Kp60
SDI Loop Out	1 x 12G SDI
SDI Play Out	1 x 12G SDI
Video Chroma Subsampling	YCbCr 420 & 422
Signal	Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
HDR	Yes with Auto detection
Web Streaming
RTMP	Yes
RTMP/S	Yes
Video Signal Conversion
HDMI to SDI	Yes
SDI to HDMI	Yes
Audio In/Out
Audio Quality	24-Bit / 48kHz
Audio Codec	PCM
HDMI	8ch 24-bit, input dependent
SDI	12ch 24-bit, input dependent
Analog Audio in	3.5 mm 2ch - 5v power
Analog Audio out	3.5 mm jack
Headphone out	3.5 mm jack
Timecode / Sync
Embedded	HDMI and SDI
Time of day	Yes, Time and Date
LTC	No BNC input
Wireless SYNC	AirGlu™ SYNC Time code Network Server or Client
RF Network range	300m
RF Frequency	Region dependant
Number of Channels	12 RF Channels per Region
Number of RF clients	Region dependant
Bluetooth Network Range	10-15m (line of sight)
Network
Ethernet	1GbE RJ45
Wi-Fi	Wi-Fi 6
Wireless RF	AirGlu™ SYNC Time code Network
Cellular	Connect to Hot Spot over Wi-Fi
Resolution and Frame Rates (Record, Monitor & Playback)
8K RAW	up to 8Kp30 Via HDMI
6K RAW	up to 6Kp60 Via HDMI & 6Kp30 SDI
4K RAW	up to 4Kp120 via HDMI / SDI
3.5K Anamorphic RAW	up to 3.5Kp60 via HDMI
2K RAW	up to 2Kp240 via SDI
4K DCI	up to 4Kp60
4K UHD	up to 4Kp60
2K DCI 2046 x 1080	up to 2Kp60
FHD 1920 x 1080 Progressive	up to 1080p120
FHD 1920 x 1080 PsF	Pull down
FHD 1920 x 1080 Interlaced	1080i50 / 1080i60
1280 x 720p	60p
Recording Codec
Apple ProRes RAW, ProRes RAW HQ	up to 12bit 8Kp30 / 4Kp120 (activation required)
Apple ProRes HQ / 422 / LT	Up to 4Kp60
Avid DNxHD (220x, 220, 145, 36)	up to 1080p60 (activation required)
Avid DNxHR (LB, SQ, HQ, HQX)	up to 4Kp60 (activation required)
H.265	LQ, MQ, HQ in 8/10 Bit, 4 2 2 and 4 2 0
Pre Roll	Yes (HD 8s, 4K 2s) - Not available in RAW
Timelapse	Yes
Gang control	SYNC record control
Playback
Playlist	Yes, Selected, Favorites or Combined
Loop playback	Yes, with custom in and out points
Apple ProRes RAW	Yes, with linear PCM audio
ProRes HQ / 422 / LT	Yes, with Linear PCM audio
Avid DNx HD/HR	Yes, with Linear PCM audio
H.265 (HEVC)	Yes, recorded clips
Monitoring
SDR	Native, 709, LUT
HDR	HLG, PQ Rec2020
De-Interlace	Selectable mode
Supported media
Interface	SATA 3
Master Caddy I	Not Compatible
Master Caddy II	For 2.5” Drives in MasterCaddy II
Master Caddy III	For 2.5” Drives in MasterCaddy III
SSDmini	Yes
CFast II	Supported cards via optional AtomX CFast Adapter
File System	ExFAT
File Naming
Standard	Unit name - Scene, Shot, Take.
Via SDI	File name for Arri and RED
On Screen Tools
Waveform	Yes, 3 size / position
RGB parade	Yes, 3 size / position
Vector scope	Yes, 2 size / position
1 x Zoom	Yes. 1:1 Pixel mapping for 4K
2 x Zoom	Yes
Focus peaking	Color selected / threshold setting / color / mono / edges only
False color	Yes, with false color scale
Zebra	Yes, adjustable
Isolate color channel	Blue Only
Cine Frame Guides	16:9, 2.4:1, 2.35:1, 1.9:1, 1.91:1, 1.85:1, 4:3
Social Frame guides	9:16, 1:1, 1.91:1, 4:5
Safe areas	Action and Graphic
Grid markers	9 grid
Anamorphic desqueeze	1.25x 1.33x , 1.5x ,1.8x ,2x, 2x 4:3
Display Flip	180 degree rotation
Onboard Signal Processing Options
Pulldown Removal	24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
4K UHD Downscale for HD	Loop out - 4K UHD to FHD
DCI Crop	Loop out - 17:9 to 16:9 Crop
Remote control
HDMI	Auto HDMI Trigger, Supported Protocols - Canon, Sony, ATOMOS Open Standard
SDI	SDI trigger camera selectable
Serial 2.5mm Jack	LANC control and calibration via optional USB to serial cable
External Device Control
Serial 2.5mm Jack	Camera control for supported cameras via Optional USB to Serial Cable
Wireless RF	To compatible devices
Supported Applications
XML	Cut tag EDL in Final Cut Pro XML
Apple ProRes RAW	Apple Final Cut Pro, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light.
Video Codecs	All NLE applications that support Apple ProRes, Avid DNx and H.265 in .MOV wrapper
What’s in the box
Accessories included	SHOGUN CONNECT unit, International Power Supply, 7" Protective Pouch, AtomX SSDmini Handle, MasterCaddy III with screws, WiFi Antenna with black caps, RF Antenna, Antenna Storage Pouch, 3.5mm audio jack to jack cable, Antenna coloured caps (5 pairs - White/Red/Yellow/Black/Green),Antenna Mount Covers, Screen Cloth, QuickStart Guide.
Optional extras	AtomX Monitor Mount, AtomX Magic arm 10" / 13", USB-C Dock, PowerKit, HDMI cables, SDI Cables
Warranty
Standard	1 year. Extended to 3 years on product registration

Construction note: Your SHOGUN CONNECT is designed to operate in ambient temperatures up to 40°C/104°F. If you wish to extend the temperature of operation in high temperature conditions, you can use the cooling options. For more information, refer to the Power Down section.

Please note: Specifications are subject to change without notice. All information assumed correct at time of publishing.

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